Prints - Archival Mounting Material & Framing

All images are hand printed on Ilford, Forte, Fotospeed, Kentmere Fibre and Resin coated paper, and then chemically toned to add effect and archival permanence.
I am committed to preserving the longevity of your print, I only use archival mounting methods and materials in all of my print orders. All prints are "float" or "hinge" mounted with archival tape or acid free mounting Corners to allow for print movement, as photographic paper expands and contracts with differences in temperature and humidity!
All prints are mounted to (PH neutral) acid-free archival board. All over-mattes are Daler-Rowney, 100% archival acid-free matte board. Over-mattes are installed with double sided archival adhesive that allows for removal at a later date of the over-matte, if desired, without damage to the print itself.
Alternatively the print can be dry-mounted in a vacuum press, this ensures a perfectly flat wave free print, but means the print and backboard become one and cannot be separated at a later date. This would be done on request and then add a little more cost to the final finished price.
I like to supply mounted prints in a individual handmade high quality Black hardwood frame sealed at the rear with archival tape to stop infestation, strung and ready to hang.

All my framing is carried out at La Pittura Picture - Norwich, please find a link to the quality framing service offered on my links page.

If you have any questions please feel free to email me; or use the contact & email tab on the site
Thank you.

Images exhibited on this site found without the "view pricing" link shown below, please use the contact & email page to obtain print info, price & availability.

Any images purchased through the website as an online transaction, once received if you are not completely satisfied as long as they are returned in perfect condition (within 14 days of receipt) I will be only to pleased to offer a full refund.